The LiveTree crowd funding campaign created by Beg Steal Borrow Films to help produce This is Cinema has got off to a fantastic start, with over £800 of the desired £3,000 raised within 48 hours of the campaign’s launch.

Nonetheless, we still have plenty of ground to cover in order to reach – and perhaps go beyond – our target over the next 28 days.

This is Cinema tells the story of Ben, a university lecturer who is grieving the loss of his wife and child. One day, his brother-in-law, Dennis, unexpectedly arrives on his doorstep with Radhika, a homeless woman who is fleeing an unhappy marriage.

Slide1

Meanwhile, Latoya is a diligent and popular student taking one of Ben’s classes. Her brother, Wilhelm, is also in Ben’s class, but he hardly attends, preferring to sell weed on campus in a bid to finance his musical aspirations.

Things become complicated when Ben and Latoya get a match on a dating app while Ben is on a drunken night out. Furthermore, Ben’s world also unravels when he is threatened with redundancy for not being productive enough.

Tensions rise, then, as Dennis struggles to rearrange his life after losing his own marriage and falling into drink, while Latoya wrestles with depression and Wilhelm a mounting debt that sees him turn to dealing cocaine.

As Ben tries to work through his grief, and as all of the characters try to find meaning in their lives, This is Cinema explores the lives of two very different families as worlds collide in contemporary London.

The film is thus about those who desire intimacy and trust in a city where neither is easily forthcoming, and where traditional barriers must perhaps be broken down if trust is to be found.

Set against the backdrop of the neoliberalisation of British university education, This is Cinema will partially be shot in the areas of London where François Truffaut made his 1966 adaptation of Ray Bradbury’s famous 1953 novel, Fahrenheit 451. In this way, the film’s setting will echo Truffaut’s use of south west London spaces in order to investigate how in addition to politics, the very architecture of the city plays a role in placing the freedom of thought under threat.

Starring Al Trevill as Ben and Dennis Chua as Dennis, This is Cinema is set to feature performances from various Beg Steal Borrow stalwarts, while also featuring performances from brand new collaborators, including Radhika Aggarwal as Radhika, Cherneal Scott as Latoya and Femi Wilhelm as Wilhelm.

Shot by stellar cinematographer Tom Maine, we also look forward to sound recording from Julio Molina Montenegro, as well, hopefully, as musical contributions from many of our long-standing collaborators (Radhika is the drummer in Extradition Order for whom we have shot a couple of music videos).

This is Cinema thus looks set to be a wonderful addition to the Beg Steal Borrow canon. So if you are interested in supporting the film, then please take part in our crowdfunding campaign, a link to which is available here.

Monies raised by the campaign will ensure that the film’s significant cast and crew can be fed during the production, while also perhaps covering the hire of a gimble for interior sequences, ensuring that we have enough hard drive space to back up video and audio recordings, film festival submission fees, and perhaps even recompensing various of the many participants in the film.

Beg Steal Borrow News, New projects, This is Cinema, Uncategorized

Beg Steal Borrow Films is delighted to announce the launch of a crowd funding campaign to finance their new film, This is Cinema.

Running until 3 June, the campaign is being hosted by LiveTree, and is hoping to raise £3,000 to support the production of This is Cinema, the 11th Beg Steal Borrow feature.

If you are interested in supporting the film, then please sign up to the campaign here.

The film tells the story of Ben, a university lecturer who is grieving the loss of his wife and child. One day, his brother-in-law, Dennis, unexpectedly arrives on his doorstep with Radhika, a homeless woman who is fleeing an unhappy marriage.

Slide1

Meanwhile, Latoya is a diligent and popular student taking one of Ben’s classes. Her brother, Wilhelm, is also in Ben’s class, but he hardly attends, preferring to sell weed on campus in a bid to finance his musical aspirations.

Things become complicated when Ben and Latoya get a match on a dating app while Ben is on a drunken night out. Furthermore, Ben’s world also unravels when he is threatened with redundancy for not being productive enough.

Tensions rise, then, as Dennis struggles to rearrange his life after losing his own marriage and falling into drink, while Latoya wrestles with depression and Wilhelm a mounting debt that sees him turn to dealing cocaine.

As Ben tries to work through his grief, and as all of the characters try to find meaning in their lives, This is Cinema explores the lives of two very different families as worlds collide in contemporary London.

The film is thus about those who desire intimacy and trust in a city where neither is easily forthcoming, and where traditional barriers must perhaps be broken down if trust is to be found.

Set against the backdrop of the neoliberalisation of British university education, This is Cinema will partially be shot in the areas of London where François Truffaut made his 1966 adaptation of Ray Bradbury’s famous 1953 novel, Fahrenheit 451. In this way, the film’s setting will echo Truffaut’s use of south west London spaces in order to investigate how in addition to politics, the very architecture of the city plays a role in placing the freedom of thought under threat.

Starring Al Trevill as Ben and Dennis Chua as Dennis, This is Cinema is set to feature performances from various Beg Steal Borrow stalwarts, while also featuring performances from brand new collaborators, including Radhika Aggarwal as Radhika, Cherneal Scott as Latoya and Femi Wilhelm as Wilhelm.

Shot by stellar cinematographer Tom Maine, we also look forward to sound recording from Julio Molina Montenegro, as well, hopefully, as musical contributions from many of our long-standing collaborators (Radhika is the drummer in Extradition Order for whom we have shot a couple of music videos).

This is Cinema thus looks set to be a wonderful addition to the Beg Steal Borrow canon. And if you are interested in supporting the film, then please take part in our crowdfunding campaign, a link to which is available here.

Beg Steal Borrow News, Friends of Beg Steal Borrow, New projects, This is Cinema, Uncategorized

Beg Steal Borrow’s William Brown is proud to curate Roehampton Guerrillas (2011-2016), a showcase of short films made by participants in William’s Guerrilla Filmmaking class, which he has been teaching at the University of Roehampton, London, since 2011.

The class involves students making a series of short films that involve both a technical and a thematic constraint – akin in some respects to Lars von Trier and Jørgen Leth’s The Five Obstructions (2003), which is the first film that participants watch as part of the class.

The class also invites participants to draw on a history of guerrilla filmmaking from around the world, reading important texts and manifestos by filmmakers like Julio García Espinosa, Fernando E. Solanas and Octavio Getino, Glauber Rocha, Jia Zhangke and Wu Wenguang. Participants also watch and gain inspiration from work by zero- to micro-budget filmmakers like Giuseppe Andrews, Ai Weiwei, Khavn de la Cruz, Mike Ott and Harmony Korine.

Roehampton Guerrillas (2011-2016) features 39 short films by 31 different filmmakers, and which respond to eight different challenges set to participants on the course. The films, chosen from among 100s made during the first five years of the Guerrilla Filmmaking course, are all packed in to a 127-minute running time!

Short on time, with no technical support, and forced to make films about topics and using techniques that are not of their choosing, the Roehampton Guerrillas prove the following:-

  • You don’t need money to make a film.
  • You don’t even need a camera.
  • You only need an idea.
  • Limitations do not hinder creativity. They drive it.

Among the filmmakers whose work is showcased are various who have worked with Beg Steal Borrow in different capacities, including Aleksander Krawec and Millad Khonsorkh, who both perform as actors in The New Hope, and Angela Faillace, who has designed the posters for The New Hope and Circle/Line.

Viewers may want to watch the films out of order. As a result, below is a list of films included in Roehampton Guerrillas (2011-2016) with timings so that viewers can browse the selection at their leisure.

Challenge #1
Make a film using only still images and which answers the question: what is Great Britain?

00m46s-04m37s – ‘This is Britain’ by Pablo Saura
04m37s-07m23s – ‘Keep Calm and Carry On’ by William Guy
07m23s-09m58s – ‘#1’ by Josh Fenwich-Wilson
09m58s-11m08s – ‘Bricks’ by Lola Lextrait

Challenge #2
Make a film using only still images and which answers the question: what is Europe?

11m18s-15m02s – ‘Postcards from Europe’ by Marc Moyce
15m02s-16m48s – ‘Europe’ by Charli Adamson and Alex Crowe
16m48s-19m58s – ‘EuropA’ by Aleksander Krawec
19m58s-24m10s – ‘The Foreigner’ by Lino Negri

Challenge #3
Make an experimental, animated or found footage film that deals with a personal issue.

24m19s-29m17s – ‘Gainsbourg For Eve(r)’ by Eve Dautremant-Tomas
29m17s-30m43s – ‘Ambition’ by Joshua Bessell
30m43s-33m55s – ‘#3’ by Audrey Jean
33m55s-35m12s – ‘Your Future Depends on Women’ by Zainab Nassir
35m12s-39m32s – ‘Early Onset Alzheimer’s’ by Taylor Matsunaga
39m32s-40m28s – ‘Memory’ by William Guy
40m28s-43m18s – ‘#3’ by Josh Fenwick-Wilson
43m18s-46m10s – ‘Open Your Eyes’ by Benita Paplauskaite
46m10s-48m49s – ‘Mind Glitch’ by Pablo Saura
48m49s-50m16s – ‘Monday Morning’ by Marina Oftedal
50m16s-52m41s – ‘Vote Romney’ by Millad Khonsorkh
52m41s-56m39s – ‘From An Outsider’ by Oz Courtney

Challenge #4
Make a film about a political issue that does not feature any synchronisation between image and sound.

56m48s-60m56s – ‘Aylesbury Estate’ by Maya Djurdjevic
60m56s-67m21s – ‘Free Tibet (Bless Dale Cooper)’ by Millad Khonsorkh
67m21s-69m58s – ‘Eat My Fear’ by Lino Negri
69m58s-72m52s – ‘Access’ by Marc Moyce

Challenge #5
Make a film about a human rights issue that does not feature any synchronization of image and sound.

73m01s-76m45s – ‘Surveillance’ by Mary Burnett
76m45s-81m56s – ‘Peri’ by Eve Dautremant-Tomas
81m65s-84m03s – ‘The Imperfect Human’ by Gabrielle Littlewood
84m03s-89m15s – ‘The Perfect Human’ by Louise Benedetto and Samuel Taylor

Challenge #6
Make a film about a political issue that consists of only a single take.

89m23s-92m12s – ‘Patriarchy in Porn’ by Zainab Nassir
92m12s-95m50s – ‘Alien’ by Sian Williams
95m50s-99m15s – ‘Toaster’ by Ewelina Lipska

Challenge #7
Make a film about multiculturalism using a smartphone, or which is silent and consists of only a single take.

99m23s-102m28s – ‘Girl Before a Mirror’ by Wajod Alkhamis and Pablo Saura
102m28s-109m20s – ‘Underground’ by Samuel Taylor
109m20s-111m20s – ‘Watts’ by Dasha Sevcenko
111m20s-113m52s – ‘Dilution’ by Myles Bevan

Challenge #8
Make a film that is a letter to a loved one and which consists either of found footage or which is an animation.

113m59s-116m54s – ‘Google Heart’ by Lola Lextrait
116m54s-119m59s – ‘Letter to a Loved One’ by Valerie Gonzalez
119m59s-122m26s – ‘The Façade’ by Tom Heffernan
122m26s-126m23s – ‘Dawn of the Third Challenge’ by Angela Faillace

Beg Steal Borrow News, Roehampton Guerrillas (2011-2016), Uncategorized

We are delighted to announce that there has been a recent series of screenings of Beg Steal Borrow films, both in the UK and abroad – including our first ever screening in South America!

En Attendant Godard was screened at the Universidade Tuiuti do Paraná in Curitiba in Brazil on 19 October to a warm crowd who also got to hear director William Brown giving a keynote address at the SOCINE XX Conference in the same venue two days later.

eag-in-brazil

Alex Chevasco on screen as En Attendant Godard screens at the Universidade Tuiuti do Paraná in Curitiba, Brazil, on 19 October 2016.

Our warmest thanks go to Denize Araujo for organising the screening, as well as to Minda Moreira for helping with the subtitles for the film.

Furthermore, there have been private screenings of Circle/Line at the University of Skövde in Sweden, for which we should thank Lars Kristensen for his warm invitation, and at the University of Roehampton in London.

The short, St Mary Magdalen’s Home Movies, also screened at We’re Not Kids Anymore, a regular night run at the Betsey Trotwood pub in Farringdon by the fantastic band, Extradition Order, for whom we have of course made a couple of music videos.

The night also included performances from author Sam Jordison, historian Jonathan Healey, comedians Hannah Croft and Fiona Pearce, and of course Extradition Order themselves.

Many thanks to the Order’s Alastair Harper for that kind invitation.

And, finally, Selfie is due to screen at the Philosophy Faculty of Vilnius University in Lithuania on 10 November 2016, with warm thanks going to Francisco Janes for helping to arrange it.

We are also hoping for further screenings in the near future – word has it that Selfie might also get a screening in Brazil in 2017, with Circle/Line potentially playing at the University of Greenwich.

This is not to mention festivals to which Beg Steal Borrow films have been submitted, and other possible screenings that have been mentioned… So fingers crossed that these shall come to fruition!

Beg Steal Borrow News, Uncategorized

Second Circle/Line preview screening sold out

Screenings, Selfie, The New Hope, Uncategorized

After a successful first preview screening at the Whirled Cinema in Brixton in July, we are delighted to announce a second preview screening of Circle/Line at renowned visual effects house Double Negative.

We are also pleased to say that the screening sold out shortly after tickets became available – hopefully a sign both of how the first screening was well received and of how people are interested in seeing a film about happiness in contemporary London.

dneg

The DNeg screening has kindly been made possible by Garry Madison, a senior colourist at the company, and who has worked on such prominent films as The Dark Knight RisesInterstellarEx Machina and Paddington.

Garry saw Circle/Line at the Whirled and was sufficiently impressed to propose the second preview screening, which takes place at 6.30pm on Thursday 29 September. Places may become available at the last minute, so if you’d like to join a waiting list, please contact us.

The Circle/Line preview screening is just one of a few screenings of Beg Steal Borrow films set to take place over the next few weeks: Circle/Line will have a private screening at the University of Skövde in Sweden, with Selfie enjoying a forthcoming screening at the University of Roehampton, The New Hope playing at the University of Central Lancashire, and En Attendant Godard due for a screening in Curitiba, Brazil, in October.

More information will follow about these screenings when details have been confirmed.

About Circle/Line

circle line_poster_v.5.2

Are you happy?

This is the question that we ask people outside or near the stations of London Underground’s Circle Line.

Circle/Line is, then, a documentary comprised of vox pop interviews with ‘everyday’ people – from the homeless to the hopeful, from the ambitious to the activist, from task-driven Londoners to tourists.

Inspired by Jean Rouch and Edgar Morin’s classic documentary, Chronique d’un été/Chronicle of a Summer (France, 1961), Circle/Line is nonetheless an original work and a fascinating insight into the lives of people in contemporary London.

Shot by Beg Steal Borrow regular Tom Maine, the film is both a portrait not just of people, but also of the city of London itself.

 

 

New support for The Benefit of Doubt

Beg Steal Borrow News, The Benefit of Doubt, Uncategorized

Two new personnel have joined the crew of The Benefit of Doubt as post-production work continues with the film.

Francisco Janes, an artist and filmmaker currently based in Vilnius, Lithuania, has come on board to carry out a sound mix for the film, while Oliver Campbell, a Beg Steal Borrow regular, has stepped in as an executive producer.

Francisco’s work has been exhibited internationally, including at Los Angeles Contemporary Exhibitions (LACE), Human Resources, AT1 Projects and the Kristi Engle Gallery.

Reminiscent of the work of filmmaker James Benning, Francisco in particular has a wonderful eye for form and space, as can be seen at his website here.

And for a sample of Francisco’s work, here is untitled (Last Chance Range, Benton Way), which Beg Steal Borrow’s William Brown first saw as an installation at the Cinema Camp in Gelgaudiškis, Lithuania, in 2014.

Oliver, meanwhile, has helped out on various Beg Steal Borrow films, perhaps most notably Common Ground, in which he acted the part of the missing brother of lead character, Dennis (Dennis Chua).

We are delighted to have both Francisco and Oliver on board – and are very enthusiastic about being able soon to show The Benefit of Doubt to viewers.

So look out for more news on the film’s progress here!

About The Benefit of Doubt

The Benefit of Doubt tells the story of Ariadne (Hannah Croft), a woman who finds herself single after ten years in a relationship, and who is now in her mid-thirties unsure as to what to do with her life.

bod

Hannah Croft as Ariadne in The Benefit of Doubt

Deciding to go on holiday to Nice, she drifts around before encountering Nick (Nick Marwick), an actor who has just taken, and who is about to start, a job teaching in order to supplement his attempts to break into the world of theatre and film.

Finally, she then also encounters Greg (Greg Rowe), a drifter who also finds himself in the south of France.

The three strike up an unlikely friendship as they walk around Nice discussing life, love and also their sense of doubt regarding their validity or worth in the world.

The film is inspired by the myth of Ariadne from Greek mythology. Having helped Theseus to defeat the minotaur by giving him a thread of wool, Theseus fulfils his promise to help her to escape from Crete and her tyrannical father, King Minos.

However, Theseus quickly abandons Ariadne on the shore of Naxos – leaving her alone and without support. Fortunately, Dionysus/Bacchus turns up and the two get married and have children.

And so, The Benefit of Doubt also features Nick and Greg as two aspects of Bacchus: one as the god whom most people do not consider to be a ‘true’ god (a struggling actor who is not recognised) and the other as a man of wine and the life Bacchanalean.

To be shot by Beg Steal Borrow stalwart Tom Maine, the film will draw upon both the numerous artworks and artists that are on display in or near Nice – from museums dedicated to Henri Matisse, Marc Chagall and Pierre-Auguste Renoir to nearby places dedicated to art naïf, modern and contemporary art and, in St Paul de Vence, the Fondation Maeght – as well as upon other films.

For, The Benefit of Doubt certainly takes inspiration from Jean Vigo’s classic 1930 experimental documentary, À propos de Nice, as well as from films like Richard Linklater’s Before Sunrise and Eric Rohmer’s Le rayon vert/The Green Ray, which sometimes is also referred to as Summer.

The film reunites various Beg Steal Borrow regulars, including director William Brown, cinematographer Tom Maine, actors Hannah Croft (En Attendant Godard), Nick Marwick (AfterimagesCommon GroundThe New Hope) and Greg Rowe (The New Hope), with Andrew Slater (Afterimages, Common Ground, The New Hope) helping on the production side of things, together with contributions from Annette Hartwell (The New Hope) and Lucia D. Williams (Common GroundThe New Hope).

The film will also feature some first-time contributions from Nice local Mark Hodge. And music-man David Miller (Common GroundUr: The End of Civilization in 90 TableauxThe New Hope) will be providing music for the score, together with original pieces by Amy Holt (who also did music for The New Hope and Circle/Line) and Alex Fixsen.

Filming is to take place in Nice between 1 and 9 October. Weather-permitting, we shall successfully finish what is Beg Steal Borrow’s ninth feature.

Circle/Line Preview Screening

Beg Steal Borrow News, Uncategorized

Beg Steal Borrow is happy to announce a preview screening of their documentary, Circle/Line, which will take place at the Whirled Cinema in Loughborough Junction on Sunday 14 August at 2.30pm.

circle line_poster_v.5.2

The Circle/Line poster was designed by the talented Angela Faillace.

To reserve a free ticket for the event, just follow this link and fill in the necessary details.

Here is a trailer for the film, with some further details below:

Are you happy?

This is the question that we ask people outside or near the stations of London Underground’s Circle Line.

Circle/Line is, then, a documentary comprised of vox pop interviews with ‘everyday’ people – from the homeless to the hopeful, from the ambitious to the activist, from task-driven Londoners to tourists.

Inspired by Jean Rouch and Edgar Morin’s classic documentary, Chronique d’un été/Chronicle of a Summer (France, 1961), Circle/Line is nonetheless an original work and a fascinating insight into the lives of people in contemporary London.

Shot by Beg Steal Borrow regular Tom Maine, the film is both a portrait not just of people, but also of the city of London itself.

Announcing Letters to Ariadne and St Mary Magdalen’s Home Movies

Beg Steal Borrow News, Uncategorized

Beg Steal Borrow is delighted to announce the completion of two new movies, Letters to Ariadne and St Mary Magdalen’s Home Movies.

Letters to Ariadne
Letters to Ariadne is a film comprised of a series of letters from William Brown to his two-year old niece, Ariadne.

Created using footage gathered in various places in 2015, the film contains reflections and advice for an infant growing up in today’s world.

The film takes in various key themes, including art, migration, nature (especially flowers), metamorphosis and Greek mythology – especially the myth of Ariadne (whose thread helped Theseus to defeat the minotaur).

The film features very brief cameos from filmmakers Mania Akbari and Lav Diaz, while also featuring friends and family members from places as diverse as England and Scotland, Canada and the USA, Italy, France, Mexico, Sweden, Macedonia and China.

The film is partly indebted to a Brown Fellowship that William won from the Museum of Fine Arts in Houston, Texas, to spend a month at the house of the late artist and photographer, Dora Maar, in Ménerbes, France.

Furthermore, the Macedonian section of the film was made possible thanks to the CineDays Film Festival in Skopje, while the Swedish and Chinese sections were made possible thanks to the Universities of Skövde, Gothenburg and Nottingham Ningbo China, respectively.

Ariadne

Ariadne (above) lies at the heart of Letters to Ariadne

St Mary Magdalen’s Home Movies
Drawing on over a dozen films, St Mary Magdalen’s Home Movies demonstrates the way in which Magdalen College, Oxford, has repeatedly been used by filmmakers in a strikingly patterned way.

Across nearly every film set or shot at Magdalen, the college’s front-facing tower has repeatedly been represented as a space associated with heterosexuality, coloniality and the regulation of time, while the college’s rear New Buildings and, more particularly, its deer park, have been depicted as one or a combination of female, postcolonial and in particular queer.

The aim of this essay-film, however, is not simply to demonstrate an esoteric pattern exclusive to the analysis of an equally exclusive place. Rather, it is to suggest that there is a ‘sexuality of space’ that both is expressed by and which expresses places that regularly we see on film.

That is, beyond the case study given here, St Mary Magdalen’s Home Movies demonstrates a new way of looking at how particular locations are treated in cinema – while at the same time using the essay film form itself as a means of providing a ‘queer’ (back) entry both into film studies and, in this particular instance, into a space that is otherwise accessed only by a privileged few.

St Mary Magdalen’s Home Movies draws inspiration from a combination of films like Rock Hudson’s Home Movies (Mark Rappaport, USA, 1992) and Les dites cariatides/The So-Called Caryatids (Agnès Varda, France, 1984).

It features footage from a variety of films, including Scholastic England (James A FitzPatrick, USA, 1948), Accident (Joseph Losey, UK, 1967), Purab aur Paschim (Manoj Kumar, India, 1970), Summoned by Bells (Jonathan Stedall, UK, 1976), Howards End (James Ivory, UK/Japan/USA, 1992), Shadowlands (Richard Attenborough, UK, 1993), Robinson in Space (Patrick Keiller, UK, 1997), Wilde (Brian Gilbert, UK/Germany/Japan, 1997), The Mystic Masseur (Ismail Merchant, UK/India/USA, 2001), Blue Blood (Stevan Riley, UK, 2006), The History Boys (Nicholas Hytner, UK, 2006), Brideshead Revisited (Julian Jarrold, UK/Italy/Morocco, 2008) and Charlie Brooker’s Weekly Wipe (Charlie Brooker, UK, 2015).

The film was made with thanks to Rachel Dwyer, Christine Ferdinand, David Pattison, and Mr and Mrs 55, whose translation of ‘Koi Jab Tumhara Hriday Tod De’ is featured in the subtitles.

The film premiered at the 2016 Film-Philosophy Conference at the University of Edinburgh – and we hope that there will be screenings of both films at other venues soon!

Guerrilla Filmmaking Workshop at Fest Film Festival

Beg Steal Borrow News, Uncategorized

William Brown has given a workshop on ‘guerrilla’ filmmaking at the Fest Film Festival 2016 in Espinho, Portugal.

FEST

The workshop, which took place on 22 June, was keenly attended by some 50 filmmakers from different parts of the world.

William discussed his unorthodox approach to filmmaking, before talking the audience through the ways in which limitations and perceived ‘imperfections’ can in fact be the most vital and important aspects of filmmaking and the films that result.

William is also on the Jury at Fest for Documentary and Experimental Shorts.

In 2013, Fest screened Common Ground, which is described in the 2016 catalogue for Fest as a film that ’caused quite a sensation.’

William is also curating a screening of films by students at the University of Roehampton in Fest, which takes place at the Filmmakers’ Corner in the Centro Multimeios in Espinho on 24 June at 8pm. All are welcome!

 

Selfie screens in Skopje

Beg Steal Borrow News, Press and Blog Mentions, Screenings, Selfie, Uncategorized

Beg Steal Borrow’s Selfie has screened at Skopje’s Kino Kultura.

20160514_191307

Skopje’s Kino Kultura, a leading independent arts venue in Macedonia’s capital.

The screening took place on Saturday 14 May, playing as the second part of a double bill with Vladimir Najdovski’s experimental film, Phi (Macedonia, 2016).

20160514_192258

Kino Kultura’s wonderful big screen.

A wonderful and enthusiastic crowd turned out for the films, with discussion lasting into the night at a local hostelry.

20160514_204632

William Brown and ‘friends’ on the big screen at Kino Kultura.

Many thanks to Vladimir Najodvski and Veronika Kamchevska for helping to organise the screening, and in particular for subtitling Selfie – a mammoth task that truly is appreciated.

The screening also received some coverage in the local news and online, with journalist Svetlana Simonovska conducting an interview with William Brown for local website Dnevnik Online.

Selfie screening

Dnevnik Online coverage of the screening of Selfie in Skopje

Further online press coverage of the event has been collated here. If you read Macedonian, take a look!

Keep on the lookout for other forthcoming Beg Steal Borrow screenings. There are rumoured to be screenings of The New Hope in Berlin, Selfie in London, and perhaps even a screening in Curitiba, Brazil, in the autumn. And of course a forthcoming premiere of Circle/Line.