Archives for category: Sculptures of London

We are thrilled to announce that we have reached the £3,000 target for our crowd fund campaign with LiveTree for This is Cinema.

With three days left on the campaign, though, any extra money raised will certainly help the production – while also seeing money donated to Tender, the arts charity that works with young people to prevent domestic abuse and sexual violence.

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The campaign for this This is Cinema  comes at the same time as we shoot Sculptures of London, and just ahead of the world premiere of Circle/Line at the East End Film Festival. This screening takes place at 5pm on Saturday 3 June at Old Spitalfields Market – and the screening is free!

The successful completion of the crowd funding campaign also comes as the finishing touches are being put to The Benefit of Doubt, with William Brown also working on an essay-film called #randomaccessmemory and an untitled letter-film with Vladimir Najdovski, a filmmaker based in Skopje, Macedonia.

Finally, it looks as though there are forthcoming festival screenings for The New HopeUr: The End of Civilization in 90 TableauxRoehampton Guerrillas (2011-2016) and Letters to Ariadne – about which more announcements will be made soon.

So stay tuned for more news from Beg Steal Borrow!

 

As we near completion of our crowd funding campaign for This is Cinema with LiveTree, shooting continues with Sculptures of London, a short film that asks what the story is that the sculptures of London tell us – about the city and about life more generally.

William Brown and Tom Maine spent Monday 29 May shooting some more sculptures for the film – after a brief meeting with the organisers of the East End Film Festival ahead of the screening of Circle/Line with them on Saturday 3 June at 5pm at Old Spitalfields Market.

We started at Mile End, where we shot the statue of Catherine Booth, co-founder with her husband William of the Salvation Army.

Catherine and William Booth

Catherine’s hand is held low, William’s held high; where Catherine reads, William declaims; where William is made of bronze, Catherine is made of fibreglass.

We then proceeded to Three Mills Park, where we saw Thomas J Price’s Network, before heading down to Docklands to shoot Les Johnson’s Landed and Eduardo Paolozzi’s Vulcan.

A quick trip down to the Woolwich Arsenal allowed us to take in Assembly by Peter Burke and Nike by Pavlos Angelos Kougioumtzis.

And we ended the afternoon’s shoot with a quick trip to Canary Wharf via East India, where we filmed Maurice Bilk’s Renaissance, Kim Bennet’s Domino Players, Eilis O’Connell’s Sacrificial Anode, Richard Rome’s Pepper Rock, Giles Penny’s Two Men on a Bench, Jon Buck’s Returning to Embrace, Lynn Chadwick’s Couple on a Seat and Bob Allen’s It Takes Two. The last four in particular suggest a strong theme between couples of Canary Wharf…

We might be hard pressed to film all of the sculptures that we would like between now and the end of the shoot, but we are making gradual and definite progress!

We are delighted to say that This is Cinema has so far raised £2,395 – or 80 per cent of its £3,000 target on LiveTree.

This leaves us with just £605 to raise in the 8 days that remain of our crowdfunding campaign.

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All support is extremely welcome as we put together the latest Beg Steal Borrow film, which offers an intimate glimpse into the lives of the people studying and working at a small London university.

Starring Beg Steal Borrow regulars Alastair Trevill and Dennis Chua, This is Cinema will also feature performances from a range of newcomers to the Beg Steal Borrow fold – with stalwart cinematographer Tom Maine also lensing the production.

The campaign comes in the middle of the production of our short film, Sculptures of London and just before our documentary, Circle/Line, plays at the East End Film Festival in London.

If you want to support truly independent filmmaking, then please pledge your support for This is Cinema! The campaign also features all manner of goodies depending on how much you pledge.

Our campaign to raise money for This is Cinema may be in full flow – having surpassed the 50 per cent mark, with £1,305 left to raise in 18 days – but there is no rest for the wicked as cinematographer Tom Maine and I headed out on 15 May 2017 to start work on a new short essay-film, Sculptures of London.

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Tom Maine shoots some sculptures in Knightsbridge.

Sculptures of London offers the collective image that the city’s sculptures paint when we put them all alongside each other in a film. What is the story of the city and its people that the the city’s sculptures tell?

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A map showing the locations of all of the different sculptures that we are going to shoot for Sculptures of London.

Having gone through thousands of sculptures in preparing for this film, we have narrowed the film shoot down to images of about 200 different pieces of work – dotted all over London. And so yesterday, we had our first day of filming, starting over in Southall Park, where we shot Rachel Silver’s Sculptural Mosaic Globe.

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Rachel Silver’s Sculptural Mosaic Globe in Southall Park.

We then headed to the Hammersmith and Shepherds Bush area, where, among other things, we were saddened to see the Elliott Brook’s Goaloids had been removed from Shepherds Bush Green. We shall research what has happened to this sculpture!

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George Frederick Watts’ Physical Energy.

We then did a stint in Kensington Gardens, looking in particular at George Frederick Watts’ Physical Energy and Henry Moore’s Arch – two sculptures that already feature prominently in Beg Steal Borrow’s The New Hope (in which Dennis attacks Physical Energy, mistaking it for a rancor).

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Henry Moore’s Arch from across the Serpentine.

We then headed to Sloane Square, where we filmed some of the work in and around Belgrave Square and Cadogan Gardens. In the latter square, David Wynne’s Dancers and Girl with Doves sit in private gardens.

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David Wynne’s Dancers in their private garden.

This begs the question about whether this art is public or not, since one can see it from the public space of the pavement, but one cannot approach it to see it in detail unless one is with a local resident.

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Simon Gudgeon’s Search for Englightenment.

We then got in some shots of Jacob Epstein’s Rush of Green and Simon Gudgeon’s Search for Enlightenment at One Hyde Park, before heading around the park to Still Water by Nic Fiddian-Green, the horse’s head that stands near Marble Arch.

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Still Water by Nic Fiddian-Green.

Finally, we headed to Edgware Road and Paddington, where we got reacquainted with Allan Sly’s Window Cleaner, a sculpture that also features in Circle/Line, which you can see at its premiere at the East End Film Festival on 3 June 2017 at 5pm at Old Spitalfields Market.

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Standing Man and Walking Man by Sean Henry.

We then ended with a trip to see Paddington Bear himself inside the station – but not before going to see Sean Henry’s Standing Man and Walking Man by Sheldon Square.

We were sad to see that Jon Buck’s Family had also been removed. Perhaps the way in which sculptures can go walkabouts will merit another film at a later point in time!

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Paddington!

But we shall keep you updated with this and other projects as we make them. Please do support Beg Steal Borrow’s efforts to make different and strange films…!