Archives for posts with tag: film-philosophy

We are absolutely delighted to announce that the short essay-film, Golden Gate, will have its international premiere at the San Francisco Frozen Film Festival on 21 July 2019.

The screening will take place at 9pm in the Little Roxie room at the iconic Roxie cinema in San Francisco – as part of a programme of shorts on Science Fiction and Horror.

OFFICIAL SELECTION - San Francisco Frozen Film Festival SFFFF - 2019

This is especially exciting because MovieMaker Magazine voted Frozen one of the 20 Coolest Film Festivals In the World.

Golden Gate is a short essay-film that comprises clips from 43 experimental and feature films shot on or around the Golden Gate Bridge in San Francisco.

If you’d like to read more about the film, you can check out this essay that director William Brown wrote on his film criticism blog.

The screening takes place during the shooting of our new feature film, Mantis, which is shooting in Collioure and Port Vendres in France, and which tells the story of three young women celebrating the life of one of their late friends.

Golden Gate also recently played at the Film-Philosophy Conference at the University of Brighton on 10 July 2019.

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The Straight Jacket Guerrilla Film Festival is this week showing four – yes, four! – Beg Steal Borrow films as part of its programme.

Straight Jacket

The Straight Jacket Guerrilla Film Festival.

The online festival, which specialises in underground, cult and experimental cinema, runs for a week, with a Beg Steal Borrow film playing on each of the festival’s first four days.

The running order sees our punk Don Quixote meets Star Wars film The New Hope playing on Tuesday 15 August.

A manifesto for the film can be read here: The New Hope – A Manifesto.

The New Hope is followed on Wednesday 16 August by Roehampton Guerrillas (2011-2016), a compilation of short films made by the titular group of guerrilla filmmakers and curated by William Brown.

Then our art house zombie homage to the Lumière brothers, Ur: The End of Civilization in 90 Tableaux, plays on Thursday 17 August.

And finally on Friday 18 August, the festival is showing Selfie, an essay-film about selfie culture comprised uniquely of moving-image selfies featuring William Brown.

We are completely delighted to be featuring so prominently as part of the festival, which is run by guerrilla filmmakers extraordinaire Fabrizio Federico and Laura Grace Robles.

The festival will culminate on Saturday 21 August with an awards ceremony at the Alamo Street Eat Bar in San Antonio,Texas. The ceremony runs from 9pm to midnight, with the Beg Steal Borrow films competing for Most Creative Feature Film. Let’s keep our fingers crossed!

Tune in to the Straight Jacket website in order to watch the films.

And click here to read an interview with William Brown about guerrilla filmmaking.

The Straight Jacket screenings come ahead of the World Premiere of Letters to Ariadne at the Validate Yourself Film Festival in New York on Saturday 2 September – and follow hot on the heels of the World Premiere of Circle/Line at London’s East End Film Festival in June.

In the meantime, we have also enjoyed preview screenings of The Benefit of Doubt at the Roxy Bar & Grill in London on 17 June and of Sculptures of London at the Film-Philosophy Conference at the University of Lancaster on 4 July.

We have also very nearly finished all filming for This is Cinema, the principle shoot of which lasted between 10 and 23 July.

So… all in all a busy summer for Beg Steal Borrow. Let us hope that we have more screenings in the near future. But in the meantime… please support our work by checking out our films!

The wait is soon over!

Two screenings, one in London and one in Oxford, have been arranged for The New Hope, the film that Beg Steal and Borrow shot in Hyde Park last summer on a shoestring.

The first is a preview screening at the Whirled Cinema in Brixton, London, and which takes place on Saturday 11 July at 2pm. Spaces are limited to 75 for this, but the event is free. So if you wish to book a ticket, then please follow this link.

The second screening takes place on Monday 20 July in the Mary Ogilvie Lecture Theatre in St Anne’s College, Oxford, at 8pm. This screening is part of the annual Film-Philosophy Conference, which this year is being held in Oxford.

In principle this screening is open only to delegates at the conference, but if you happen to be in Oxford on that evening, I am sure that you could sneak in if you wanted.

The New Hope tells the story of Dennis, a man who believes himself to be Obi Wan Kenobi. An updated adaptation of the first part of Miguel de Cervantes’ Don Quixote, the film itself tilts at the biggest windmill of them all, the myth that is the Star Wars universe, trying to show that cinema can be made not with CGI and massive budgets, but with a dustbin lid, a piece of string, and a colander. I wager my right hand that anyone watching The New Hope will find something of worth in it.

Come along to one of these and/or other screenings, and see if you agree.

Finally, it is hopeful – though not confirmed – that Selfie will also be screening at the prestigious Whitechapel Gallery in the not-too-distant future. Discussions are under way, then, to arrange a mutually convenient date.

Afterimages has played at the Film-Philosophy Conference 2011, hosted at Liverpool John Moores University in Liverpool.

The screening was enjoyed by a generous academic crowd, who beleaguered the director with their smart questions afterwards.

A line-up of the full conference programme can be seen here.